Now He Belongs to the Ages

Sesquicentennial of the death of Abraham Lincoln Poem


Today marks the 150th anniversary of the death of Abraham Lincoln. As a tribute I have written this poem:


Now He Belongs to the Ages


Our country rejoices in peace come at last,

Now avarice and strife are confined to the past.

The sword it is shivered and there in its stead,

The olive branch waves o’er the field of the dead.


The four years long struggle is finally done,

The dark night is finished and bright dawns the sun,

The cannons have ceased their deafening roar,

While the shriek of the fife resounds never more.


Our banner victorious, we broke tyranny’s chain,

And joined North and South together again.

Exult all ye people, from East to the West,

We have withstood the fires and passed through the test!


But what is this shadow that’s lending its pall,

And turned sweetest vict’ry to bitterest gall?

The loathsome assassin has fired a blow,

That found its dread mark and laid our Chief low.


The Jubilee is quenched on this blackest of days,

And hope fallen cold where our brave Captain lays.

The time of our triumph intended for gladness,

Is drained of its joy and instead changed to sadness.


How little we valued while he was yet ours,

And failed to acknowledge the strength of his powers.

When he was among us, his greatness too near,

Now that he’s left us the truth becomes clear.


He was man of the people and yet stood alone,

Whom many have seen, but little have known.

Open and frank, yet guarded, contained,

Laughingly cheerful mixed with sadness and pain.


He was kind and forgiving, but solid and steady,

Deliberate and patient, yet active and ready,

Humble of character and humble of birth,

That belied his significance and obscured his worth.


Oh anomaly of men! Our comprehension failed,

Until his spirit had already passed through the veil.

Now he is counted among the rulers and sages,

He is no longer ours, now he belongs to the ages.


-Michaela Richmond

April 15, 2015

Caring for Cows in the Winter

Caring for Cows in the Winter (

Whenever I talk about our farm during the winter, the first question I get asked is, “How do cows do with the cold?” Actually, cows tend to prefer cold weather over hot. Their thick hides (7x thicker than human skin on average), hair, and unique heat-producing digestion mean that a cow’s favorite temperature is between 40° and 65° F.  Of course, it gets colder than that during the winter and we want to make sure our cows are safe and comfortable even if a blizzard is blowing outside. So how do we do that?

One of the most critical things is proper housing. A cow needs a clean, dry environment that shelters her from wind and snow. Our cows are housed in a “free-stall” barn and can choose to walk around, eat, drink, lay down, or socialize whenever they want. During the winter, curtains on the side of the barn are raised to block the wind, but on milder days they can be lowered to let in some fresh air. Keeping the cows in the barn during winter ensures the cows never get wet or chilled and protects them from possibly slipping and injuring themselves outside.

Caring for Cows in the Winter: Our Free-Stall Barn (
A few of the girls resting in their freshly groomed stalls.

It is also important that a cow is receiving plenty of high quality feed. A cow’s largest stomach compartment is her rumen, which she uses to ferment her feed for digestion. This fermentation produces heat and, “is beneficial by helping dairy cows prevent a decline in body temperature” (Cooperative Extension, University of California, Davis). We feed our cows a special diet of grass, silage, straw, and grain using a recipe that our dairy nutritionist formulates for us. This ensures that our cows are getting the perfect amount of energy, protein, fiber, and nutrients that they need.

Caring for Cows in the Winter: Feeding the cows (
Eating breakfast

While adult cows handle the cold well, our baby calves require special attention. Since a calf’s surface area to body mass ratio is higher it’s easier for them to lose heat. Like the cows, our calves are housed in a barn with a curtain that can be raised or lowered depending on the temperature. Our newborn and small calves are each kept in their own pen so we can monitor them individually and make sure they are eating properly. We feed our calves two times a day, and the milk is warmed before we serve it. We also use warm water for them to drink.

Caring for Cows in the Winter: Warm milk (
Drinking warm milk

Each calf wears an insulated blanket or coat that helps keep them warm.

Caring for Cows in the Winter: Calf coats (

Twice a day we add fresh bedding to the pens so the calves stay clean and dry. We also put fluffy straw in the little calves’ pens so they can snuggle down and nest in it.

Caring for Cows in the Winter: Adding fresh bedding (
Addison adding fresh straw to the calf pens

Looks like she went a little overboard on this one…

Caring for Cows in the Winter: Extra bedding (

The older calves are housed together in group pens.  We feed grain twice a day with free access hay and water.

Caring for Cows in the Winter: Our calf group pens (
Mason bedding the group pens

It’s important to us that our cows are warm and comfortable, even in the middle of a western NY winter!

I took a short video of one of our calves playing in the bedding we added to her pen. You can watch it here.

To learn more about winter cow care here’s a short article about How Cows Stay Warm in the Winter.

-The Farming Daughter

Braveheart: Part II

Sewing a Braveheart Kilt Part II

Yesterday I posted about the tunic I sewed for a friend’s Braveheart costume. Today I’ll share about the exciting part, the kilt!

(If you didn’t see yesterday’s post you can read it here.)

First I’ll say, there has probably never been a kilt quite like this one ever sewn before. The main object was to make the kilt look like the one William Wallace wears in Braveheart. The movie kilt is a version of the Feileadh Mor, or “Great Kilt”, which is traditionally a large piece of wool, 60 inches wide and up to nine yards long. Each time the garment is worn it has to be re-pleated and then belted around the waist. My objective was to sew a faux Feileadh Mor that didn’t need to be re-pleated each time it was worn, and that only used 3 1/2 yards of 54″ wide material. The good news is, I have a hunch that the movie kilt used some cheater tricks also.

Sewing a Braveheart Kilt Part II, the inspiration (
The inspiration picture from the movie

I settled on a design featuring a wrapped, pleated skirt and then a piece of fabric extending off the end to drape over the shoulder.

The fabric that I used was a gorgeous 8 oz. Scottish wool in the authentic Ancient Royal Stewart tartan design. I chose not to prewash the fabric because I didn’t want it to lose its finish or become fuzzy.

First I measured and cut the fabric, pulling a weft thread to make sure I was cutting on grain. Then I sewed the breadths together to make a piece 24.5″ wide and 270″ long, being careful to match the design of the plaid.

Sewing a Braveheart Kilt Part II, pulling a weft thread (
Pulling a weft thread for the cutting line

The wool was rather lightweight so we decided to line it with white Kona cotton to give it some body. I used “Mrs. Pullan’s Skirt Lining Technique” taken from the 19th century book Beadle’s Dime Guide to Dressmaking. To sew the lining you lay the fashion fabric and lining fabric wrong sides together, fold back the fabric to expose the first seam allowance, and join the two pieces together by sewing through the seam allowance (you can read a better explanation of the technique here). I didn’t use this method to be “authentic” or anything, but because it provides a tidy lining, with no raw edges or stitches showing.

Sewing a Braveheart Kilt Part II, the lining (
Mrs. Pullan’s Lining Technique

60″ inches of the wool was kept unlined to use as the part of the kilt that drapes over the shoulder.

Sewing a Braveheart Kilt Part II: the lining (
The lining

To finish the edges of the unlined part I hand sewed a narrow turned hem. For the lined part of the kilt I put in a faced hem. This technique uses only a 1/2″ of the fashion fabric, while giving body and weight to the bottom edge of the garment so that it will hang nicely. The facing was sewn on with the machine and then finished by hand so the stitches wouldn’t show on the right side.

Sewing a Braveheart Kilt Part II: (
The faced hem

I knife pleated the skirt and set it to a waistband, using a slip stitch to finish it off.

Sewing a Braveheart Kilt Part II: the waistband (
The wrong side of the waistband was slip-stitched for an invisible finish

The final step was to put in four wooden buttons and hand sewn button holes.

Sewing a Braveheart Kilt Part II: buttons (

Sewing a Braveheart Kilt Part II: button holes (
Hand sewn button holes, the bane of my existence 😛
Sewing a Braveheart Kilt Part II: hand sewn button holes (
Thankfully I think they turned out neatly enough

It’s a good thing we didn’t order any less fabric, because this was all that was left:

Sewing a Braveheart Kilt Part II: remaining fabric (A Weekend of Polite Society)
Only this little scrap was left!

Some pictures of the completed kilt:

Sewing a Braveheart Kilt Part II: the completed kilt! (
The completed kilt!
Sewing a Braveheart Kilt Part II: the completed kilt (
The completed kilt showing the shoulder piece

The completed costume in use:

Sewing a Braveheart Kilt Part II: the kilt in use! (

Fabric: 8 oz. lightweight Ancient Royal Stewart Tartan wool, 100% Kona cotton

Pattern: Drafted my own

Notions: Cotton thread, 4 wooden buttons

How historically accurate is it?: Not accurate at all, but it looks like the movie kilt, so it’s perfect! 🙂

Hours to complete: Maybe 20?


-The Farming Daughter

Braveheart: Part I

braveheart 1 pinnable

Recently, I finished sewing a neat project for my friend Stewart. Stewart has Scottish ancestors and is a fan of Braveheart, so he asked me to make a kilt and tunic similar to the one William Wallace wears in the movie. It was fun sewing a “costume” that didn’t have to be 100% authentic for a change. This post will be focus on the tunic, and part two will show the kilt construction and completed outfit.

I had just enough cotton material left over from constructing the kilt that I thought I could squeeze out a tunic. It was difficult to find any clear pictures from the movie of just the tunic, so I decided to base it off of the Bocksten Tunic. This style of tunic is accurate for the 13th-14th centuries (when William Wallace was alive), and is cut to use fabric economically (which was good since I didn’t have much material).

The cotton fabric I had was white, so I used tea bags to dye it a more “natural” color. I boiled a big pot of water, and steeped about thirty of the cheapest tea bags I could find. Then I submerged the fabric in the dye and let it soak until I thought the color was dark enough. To prevent the color from being mottled I made sure to frequently stir and turn the fabric so all of the material who absorb the dye evenly. Finally, I wrung the extra tea out and dried the fabric in the dryer on high to “set” the dye.

I drafted my own pattern, using this tutorial as a guideline. I took measurements off a T-shirt to give me a general idea on sizing.  The tunic is a very simple style, with two big rectangles as the front and back.

Braveheart Tunic Front (


Since I didn’t have much material I had to piece three rectangles together for the back.

Sewing a Braveheart Tunic Back View (


The sleeves are elbow length and are made of tapered rectangles with square gussets.

Sewing a Braveheart Tunic Sleeve View (


A triangular gore is added to each side of the tunic to add width. The gore also had to be pieced due to my small amount of fabric.

Sewing a Braveheart Kilt Side Gore (


I drafted the keyhole neckline facing following the instructions from this tutorial.

Sewing a Braveheart Kilt Neckline (

Since authenticity wasn’t a big issue, I used the sewing machine for all of the seams except for the slip stitch on the neckline. The bottom of the tunic and sleeve edges have a narrow turned hem. All of the seams, except where the sleeves are set in, are flat felled for durability.

The basic stats:

Fabric: White Kona cotton dyed using tea

Pattern: Drafted my own pattern using this tutorial as a guideline, and this tutorial for the neckline

Notions: Thread, tea bags to dye the fabric

How historically accurate is it?: The tunic is patterned after the Bocksten Tunic, and has a shape and design appropriate for the 13th-14th centuries (when William Wallace was alive). I used the machine to sew it though, which is not accurate in the least 🙂

Hours to complete: 6 maybe??? (not including the fabric dyeing)

Stay tuned for Part II: The Kilt! (And don’t worry, I haven’t forgotten the cow care post. I just want to get some pictures to illustrate what I’m talking about and then I’ll post, hopefully by the end of this weekend.)

-The Farming Daughter

Winter on the Farm

Winter on the Farm (

Winter came early in November this year, and we’re still firmly in its icy grip. We have so much snow we’re running out of places to pile it! I am definitely thankful for my heavy duty insulated Carhartt overalls this year! The good news is, the cows are all snug in their barns and are handling the cold weather just fine.

Winter on the Farm (
Best Christmas present ever, thanks Mom! 🙂

I thought I’d share some of my favorite “winter on the farm” pictures I’ve taken so far.

First, some pics from Winter Storm Knife that hit us in mid November. We were very blessed not to get as much snow as other places, but we still spent a day shoveling off the barn roofs.

November Snow Storm - Winter on the Farm (
Winter Storm Knife starting
Shoveling Show - Winter on the Farm (
Shoveling snow off the roof
Shoveling on the Roof Winter on the Farm (
The view from the top

Only a week after the storm it was warm enough to let cows out to pasture!

After the Storm Winter on the Farm (


It can either be blizzard-ing and snowy:

Blizzarding Winter on the Farm (

Or, extremely cold and clear:

Cold and Clear Winter on the Farm (


I found these “snow feathers” on some of the driveway stakes and thought they were so delicate and pretty!

Snow Feathers Winter on the Farm (

The frost on the windows is also very beautiful.

Frost on the Windows Winter on the Farm (

Frost on the Windows (2) Winter on the Farm (


Winter Sunrise Winter on the Farm (
Winter Sunset Winter on the Farm (
-18 Winter on the Farm (
18 below!

Winter Snow Winter on the Farm (


Playing in the Snow
The boys coming back from sledding

January Snow Winter on the Farm (

Sunset Winter on the Farm (


I hope you are all keeping warm! Many of my friends have been asking about how our cows do during the winter, so I’ll be posting about that soon!


-The Farming Daughter

Valentine Card Challenge

Valentine Card Challenge

Valentine’s Day may be over, but here’s a great way to show Christ’s love to others:

In Uganda, 1 in 6 children under the age of 17 is an orphan. At least 1,400 of these orphans live abandoned and neglected in orphanages/prisons.

Crista Moriah over at Uniquely Fashioned for His Glory has an ongoing Valentine Card Challenge to send cards and the message of God’s love to the imprisoned children of Uganda. You can partner with her by making a homemade card so that each child receives one.

See all the details and where to send your cards here.

To learn more about the imprisoned children of Uganda check out Sixty Feet Ministries.

Just to let you know, the blog says “by February 14th”, but Crista Moriah told me they’re still accepting cards.

Some of the cards that my family, and several groups from our church made:

Cards for Valentine Card Challenge


-The Farming Daughter

I Met Dairy Carrie!

Meeting Dairy Carrie - The Farming Daughter

Addison and I attended a Young Cooperators meeting Thursday. These “YC” meetings, hosted by our milk co-op, are always a great learning and leadership-building opportunity for those of us in the 40 and younger crowd. This time was no exception! We were talking about social media and using it as a tool to reach out to our consumers. It really inspired me to start posting more about our farm and cows, I am the Farming Daughter after all!

My favorite part of the meeting was listening (and getting to talk to!!) our special guest speaker Carrie Mess. Carrie blogs over at The Adventures of Dairy Carrie and writes about farming on a 100 cow dairy in Southern Wisconsin. She had some great advice about “telling our story” and gave us the challenge (which I’m going to try) of posting at least once a week.

If you’ve never read her blog I suggest you check it out!

The Adventures of Dairy Carrie

Here are a few of my personal favorite posts:

Just the (dairy) facts: 29 facts about dairy!

A new baby, now what?

Sometimes we are mean to our cows


-The Farming Daughter

Silas Marner

“My life is but a weaving
Between my God and me.
I cannot choose the colors
He weaveth steadily.

Oft’ times He weaveth sorrow;
And I in foolish pride
Forget He sees the upper
And I the underside.

Not ’til the loom is silent
And the shuttles cease to fly
Will God unroll the canvas
And reveal the reason why.

The dark threads are as needful
In the weaver’s skillful hand
As the threads of gold and silver
In the pattern He has planned

He knows, He loves, He cares;
Nothing this truth can dim.
He gives the very best to those
Who leave the choice to Him.”

-“Life is but a Weaving” by Corrie ten Boom


Silas Marner Book Review

Life has dealt Silas Marner harder blows than most would be able to bear. Framed for stealing the church money bag by his best friend (William Dane), Silas is banished from the small congregation at Lantern Yard and forced to leave. Adding even more pain, William convinces Silas’s fiance to break off their engagement and marry William instead. Penniless and rejected, Silas moves to the small village of Raveloe where he becomes a solitary miser. Afraid to trust others, he works ceaselessly at his weaving loom, his only aspiration to increase the stacks of golden guineas he hoards under the floor boards. Marner continues in this way for fifteen years, until one night his unlocked door admits a thief who pilfers the gold. Silas spirals into depression, without his gold he has nothing left to live for. Then, Silas once again leaves his door unlocked, and something far more precious than gold enters his house, and his heart.

Like several of the other books I’ve read for The Classics Club, Silas Marner was already a familiar story to me. However, since the previous version I knew was a dramatized audio version it was nice to read the original book word for word.

I’ll never forget going to a used book sale and finding a set of antique classics. “How much are you asking for the whole set?” I inquired.

“Seven dollars,” was the reply.

“Seven dollars?!” I squealed. “That’s a steal! Look, it even has Silas Marner!”

The attendant raised her eyebrows and looked surprised, “You actually like that book? Most people don’t.”

Well, y’all know I’m definitely not like “most people”, but I’m still unsure why more readers don’t enjoy Silas MarnerI know some are displeased that William Dane and the others who wronged Silas never get what’s coming to them (at least you never hear about it), but to me that’s part of the beauty of the book. Real life doesn’t always have closure; sometimes we don’t get to see the rest of the story or justice enacted, but there can still be forgiveness and healing. 

I think my favorite character was probably Dolly Winthrop, a village woman who befriends Silas and teaches him how to care for Eppie. She often offers advice to Silas, but always in a gentle, humble way that never sounds “preachy”. If I had to take a guess I would venture that Dolly experienced some deep sorrow in her life also, and that’s why she’s able to relate so well to Silas. My one complaint with the book is that’s it’s rather short. If it had been longer maybe the other characters could have been more developed and Dolly’s past could have been explored deeper.

Although on the surface the story seems simple, George Eliot (pen name for Mary Ann Evans) entwines deep philosophical points that will cause you to pause, reflect, and sympathize with the characters. Why do bad things happen? Does God really have a plan for our lives? You may finish the book itself quickly, but it will leave you pondering long after you read the last chapter.


Book: Silas Marner

Author: George Eliot (Mary Ann Evans)

Publish date: 1861

Rating: 4 out of 5 stars

Finish date: November 2014

Book list number: 7 out of 205

Favorite quotes:

The sense of security more frequently springs from habit than from conviction. 


‘But there’s this to be thought on Eppie: things will change, whether we like it or no; things won’t go on for a long while just as they are and no difference.’


‘Everything comes to light, Nancy, sooner or later. When God Almighty wills it, our secrets are found out.’


‘eh, there’s trouble i’ this world, and there’s things as we can niver make out the rights on. And all as we’ve got to do is to trusten, Master Marner – to do the right things as fur as we know, and to trusten.’

‘Ah, but that ‘ud ha’ been hard,’ said Silas, in an under-tone; ‘it ‘ud ha’ been hard to trusten then.’

‘And so it would,’ said Dolly, almost with compunction; ‘them things are easier said nor done…’


‘When a man turns a blessing from his door, it falls to them as take it in.’


‘I shall never know whether they got at the truth o’ the robbery…It’s dark to me, Mrs. Winthrop, that is; I doubt it’ll be dark to the last.’

‘Well, yes, Master Marner,’ said Dolly…’I doubt it may. It’s the will o’ Them above as a many things should be dark to us; but there’s some things as I’ve never felt i’ the dark about…You were hard done by that once, Master Marner, and it seems as you’ll never know the rights of it; but that doesn’t hinder there being a rights…’


In old days there were angels who came and took men my the hand and led them away from the city of destruction. We see no white-winged angels now. But yet men are led away from threatening destruction: a hand is put into theirs, which leads them forth gently towards a calm and bright land, so that they look no more backward; and the hand may be a little child’s.


-The Farming Daughter

Crowning Glory

Today was the day. I went and got a hair cut for the first time in three years! I had been growing my hair out to donate it, and as you can imagine, not cutting your hair for 36 months means some pretty long tresses! This is actually the longest I’ve ever had my hair.

I’ve donated my hair twice before, both times to Locks of Love. This time I did some research about hair donation and decided to support a different organization. I wanted to insure that the hair I sent would be used responsibly, and I preferred an organization that didn’t charge its recipients. Pantene’s “Beautiful Lengths” campaign seemed like the perfect fit. Beautiful Lengths is a partnership between Pantene and the American Cancer Society to “graciously help women who have lost their hair to cancer treatments”. They turn the hair that is donated into real-hair wigs and provide them to cancer patients free of charge. I’ll be sending my foot long pony tail to them soon! 

Now for some pictures…

Hair - back view

Hair - front view


It will take some getting used to it being so “short”, but I’m really happy with how it turned out! And hopefully it won’t take 20 minutes to brush anymore! Have you ever donated your hair before?

If you’d like more information about donating to the Beautiful Lengths Campaign you can see the official website here.

-The Farming Daughter